Heartbroken latte |
The first one is that the imperfect, messy aesthetic Lorenz is describing has been around for years, thanks to Snapchat’s huge influence over pop culture. The irony is that when Instagram successfully cloned Snapchat’s Stories feature in 2016, they also copied its "perfectly imperfect" aesthetic and quirky mindset (for French speakers, here's an article I wrote back then about this aesthetic change). The Stories format, which favors ephemeral, immediate, as-candid-as-possible picture sharing, was meant to become the counterweight to IG's hyper-crafted pictures. It eventually became more than a mere counterweight: its massive success introduced the "messy aesthetics" which have thrived on Instagram ever since, through memes and influencers, small or big.
The other important point is that, even though pastel-coloured housewares, exposed bricks walls and flare effects have become less popular, there is still no such thing as authenticity on Instagram. Even the messiest picture is as painstakingly curated or distorted as the heavily filtered ones. The bad flashes, the quirky outfits, the faces — every detail one posts is there to show how cool, "non-self conscious" one is.
As human beings, everything we share or do collectively is more or less staged to send more or less subtle messages. Therefore, it’s no surprise this universal behaviour is dialled up on social media. Even when we try to go unfiltered, we end up trying to distort reality to our benefit. Take again Snapchat, the O.G. of messy aesthetic: the app popularised sharing bad pictures and silly jokes, but also made applying all sorts of embellishing effects onto your face mainstream, eventually leading to what some call (in an oversimplifying way) "Snapchat dysmorphia".There is still no such thing as authenticity on Instagram. Even the messiest picture is now as painstakingly curated or distorted as the heavily filtered ones.
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